Alessandro is an Italian pianist/composer and sound engineer. He has been working in the music industry for more than 20 years both as a musician and in his private recording studio.
Edgar Rothermich
Edgar Rothermich is Adjunct Professor at the Fullerton College Fine Arts Department (teaching Electronic Music, Synthesis, and Logic Pro X) and at the Recording Arts Program of the School of Film and Television at Loyola Marymount University (teaching Recording Technology and Pro Tools).
Drew BANG
drew BANG is an award-winning Engineer and Producer, with over 10yrs Experience working with clients such as U2, Royal Blood, Haim, Slaves, Don Broco, and more. Starting out at Strongroom as a runner at the age of 32, drew quickly worked his way up to in-house Engineer for Studio 1, before going freelance to concentrate further on Production.
James David Redding III
As a freelance Re-recording Mixer, Sound Editor and Sound Designer based in New Jersey in the US, I have worked in all areas of post-production audio. Projects range from feature films, documentaries, television series and audio restoration. I am also an Adjunct Professor at New York University, where I share my skills with the next generation.
Howard Bargroff
Howard is now a re-recording mixer at Sonorous Trident, a joint venture with Mike Prestwood-Smith. Bafta-winning Howard Bargroff has been in the industry for 25 years, becoming a Main Mixer, working on films such as “Alien vs Predator”, “Sleuth” and “Tinker Tailor Soldier Spy”. In 2009 Howard expanded his repertoire and started working on TV dramas which include, “Law and Order”, “Devs”, “Broadchurch” and “Sherlock”.
Robbie Dwyer
Robbie is a lecturer with Winchester University, as well as a freelance Recording and Mixing Engineer, specialising in providing a remote recording service using Cubase.
Kevan Gallagher
Kevan Gallagher is a London based Producer/Engineer and Songwriter. Kevan initially worked at several London studios including Westside, Marcus and Battery Studios before becoming freelance in 2004. Since then he has worked with artists such as Annie Lennox, Ronan Keating and Some Velvet Morning along with jazz artists such as Jacqui Dankworth and many TV composers on a large variety of music projects.
Mark Wherry
Mark Wherry is Director of Music Technology for Hans Zimmer's Remote Control studio in Santa Monica. He wrote the first 64-bit, multi-core sampler used in the production of a feature film soundtrack, alongside numerous other technologies. His film and soundtrack credits include Wallace & Gromit: The Curse of the Were-Rabbit, The Dark Knight Trilogy, The Da Vinci Code, Sherlock Holmes, The Little Prince, Dunkirk, and many more.
Chris Testa
Chris Testa is a multiple Grammy award-winning engineer and mixer who started his career at the Hit Factory Studios in New York City before moving to Los Angeles to work at Cello Studios. He has spent most of the last decade working as a freelance mixer on music, television, film and commercials. He works out of his home studio in Burbank California.
Jamey Scott
Jamey Scott is a freelance creative sound designer and re-recording mixer, working out of his pre-dubbing stage at his home in Burbank, California. He is unique in his multi-disciplined approach to post audio which spans over 28 years and multiple genres with top-tier credits and awards in film, TV, video games, and VR/MR.
Sreejesh Nair
Sreejesh Nair is a film mixing engineer with more than a decade of experience mixing films and music, almost exclusively in the Surround Sound format from Mono, to 5,1, 6.1, 7.1 and Atmos. Sree has more than 250 film titles to his credit and has worked as a senior re-recording mixer for Rajkamal Studios (FutureWorks) in Mumbai in addition to his role at Avid.
Tim Goodyer
Long-time professional audio journalist and photographer, Tim Goodyer, started his publishing career began with Music Technology. He was also the longest-serving editor of technical professional audio magazine Studio Sound before becoming the founder of Blank Canvas, the publisher of Pro Audio Asia and Pro Audio Middle East magazines. He has also contributed to a number of books and had features and photographs published in a variety of music and technology publications. In 2010 he set up Fast-and-Wide and is based in Brighton, England.
Mike Cooper
Mike Cooper is a genuine British voice over artist based in America, and working for clients all over the world who has been helping his clients to sound better since 2007. In the Spring of 2018, he became a naturalised U.S. Citizen, which he says now makes him "The guy next door. Only better. And British. And American!" The overwhelming majority of his work comes in the form of repeat business from valued, happy clients who know they can trust him to deliver.
Garrard Whatley
Garrard owns Seismic Post Audio in Los Angeles and has worked as a Supervising Sound Editor and Re-recording Mixer for 24 years. Still working on indies and larger film productions, he has added television series work over the last 10 years, bringing a cinematic sensibility to his broadcast work. Seismic Post Audio is also home to software development for post audio applications, with an eye toward making Pro Tools session organization and navigation faster and easier.
Rob Walker
Rob Walker works in cinema, sound installations and compose music and has over 25 years experience creating sound and music by myself and in collaboration. He is drawn to edgy contemporary subject matter and strong creative directions.
Alex Knickerbocker
Alex Gregson
Alex Gregson has been involved in Sound Design and Audio Post Production for over 10 years. He founded 344 Audio, an Audio Post Production Facility based in Manchester, UK that specialises in Narrative Films and Commercials.
Mike Thorne
Mike Thorne has been playing, recording and mixing music professionally for over 23 years, including the last 12 years with a focus on mastering audio. He works out of his studio, Rimshot, in the UK and is one third of Brik Hit House, a production company he formed with cellist Jess Cox and composer James Pickering.
Damian Kearns
Damian has been working in sound for picture at Canada’s top studios and major broadcasters for the past 27 years. As a freelancer, Damian also owns and operates his own studio, 217 Audio.
Ross Rothero-Bourge
Ross started his career in live sound, working his way up to arenas and major festivals. For the last 7 years he has been the house engineer at Cube Recording in Cornwall where he has worked with chart topping bands like The XX. He also mixes audio for Zildjian and Vic Firth.