As the CEO of SCHOEPS Dr. Helmut Wittek has not only helmed numerous recordings using advanced techniques such as 5.1 and 5.1.4 formats but has also been instrumental in evolving stereo, surround, and 3D recording technologies.
Stuart Newman
Stuart Newman is a highly experienced broadcast audio engineer, musician and writer with over 20 years of experience in Pro Tools operation and support.
Howard Karp
In post-production, Howard specialises in mixing, editing, restoration and recording for theatrical, broadcast, streaming and home video. He prides himself on being a strong team player, working well under pressure, staying detail-oriented, and thoroughly enjoying what he does.
Sam Castleton
Sam is a multi-award-winning mixer who has worked on factual, comedy, and drama TV and film since 2006. He is a highly sought-after mixer with a loyal client base and a fierce dedication to his craft, having mixed many of his recent projects in Dolby Atmos.
Mike Greenberg
My name is Mike Greenberg. I am a Re-recording Mixer based in Los Angeles. On any given day my duties include recording dialog for animated movies and tv programs, recording ADR for feature films, editing dialog and sound effects, and mixing content for broadcast and streaming platforms. I have been working in the world of sound for 28 years and evolved from the first days of Pro Tools and digital and analog multitrack recorders.
Karen Down
Karen Down started work in the music industry at 17 as an assistant engineer and is a 25-year veteran of the Solid State Logic Support team having spent many years travelling the world training people on the operation of their products.
Nuno Fonseca
Nuno Fonseca is CEO of Sound Particles and loves technology, sound and cinema... The creator of Sound Particles is a former university professor with a PhD in computer audio. He has published two books and 20+ papers on audio technology.
Scott Gershin
Scott is an audio artist who uses audio to tell stories & create experiences in numerous mediums, including films, streaming, broadcast, games and VR). As a sound designer, his job is to take the vision of the director and the project & use his craft to give the project a creative voice with a sonic signature and style that takes the audience on a journey using audio to invoke emotional reactions.
David Stagl
David Stagl is a mix engineer, re-recording engineer, and audio educator based in the Atlanta area. He regularly posts articles and videos on his website Going To 11. You may also visit his website Stagl Productions to learn more about his audio services or connect with him on Instagram @fohdave1.
James David Redding III
As a freelance Re-recording Mixer, Sound Editor and Sound Designer based in New Jersey in the US, I have worked in all areas of post-production audio. Projects range from feature films, documentaries, television series and audio restoration. I am also an Adjunct Professor at New York University, where I share my skills with the next generation.
Howard Bargroff
Howard is now a re-recording mixer at Sonorous Trident, a joint venture with Mike Prestwood-Smith. Bafta-winning Howard Bargroff has been in the industry for 25 years, becoming a Main Mixer, working on films such as “Alien vs Predator”, “Sleuth” and “Tinker Tailor Soldier Spy”. In 2009 Howard expanded his repertoire and started working on TV dramas which include, “Law and Order”, “Devs”, “Broadchurch” and “Sherlock”.
Robbie Dwyer
Robbie is a lecturer with Winchester University, as well as a freelance Recording and Mixing Engineer, specialising in providing a remote recording service using Cubase.
Kevan Gallagher
Kevan Gallagher is a London based Producer/Engineer and Songwriter. Kevan initially worked at several London studios including Westside, Marcus and Battery Studios before becoming freelance in 2004. Since then he has worked with artists such as Annie Lennox, Ronan Keating and Some Velvet Morning along with jazz artists such as Jacqui Dankworth and many TV composers on a large variety of music projects.
Mark Wherry
Mark Wherry is Director of Music Technology for Hans Zimmer's Remote Control studio in Santa Monica. He wrote the first 64-bit, multi-core sampler used in the production of a feature film soundtrack, alongside numerous other technologies. His film and soundtrack credits include Wallace & Gromit: The Curse of the Were-Rabbit, The Dark Knight Trilogy, The Da Vinci Code, Sherlock Holmes, The Little Prince, Dunkirk, and many more.
Chris Testa
Chris Testa is a multiple Grammy award-winning engineer and mixer who started his career at the Hit Factory Studios in New York City before moving to Los Angeles to work at Cello Studios. He has spent most of the last decade working as a freelance mixer on music, television, film and commercials. He works out of his home studio in Burbank California.
Jamey Scott
Jamey Scott is a freelance creative sound designer and re-recording mixer, working out of his pre-dubbing stage at his home in Burbank, California. He is unique in his multi-disciplined approach to post audio which spans over 28 years and multiple genres with top-tier credits and awards in film, TV, video games, and VR/MR.
Sreejesh Nair
Sreejesh Nair is a film mixing engineer with more than a decade of experience mixing films and music, almost exclusively in the Surround Sound format from Mono, to 5,1, 6.1, 7.1 and Atmos. Sree has more than 250 film titles to his credit and has worked as a senior re-recording mixer for Rajkamal Studios (FutureWorks) in Mumbai in addition to his role at Avid.
Mike Cooper
Mike Cooper is a genuine British voice over artist based in America, and working for clients all over the world who has been helping his clients to sound better since 2007. In the Spring of 2018, he became a naturalised U.S. Citizen, which he says now makes him "The guy next door. Only better. And British. And American!" The overwhelming majority of his work comes in the form of repeat business from valued, happy clients who know they can trust him to deliver.
Garrard Whatley
Garrard owns Seismic Post Audio in Los Angeles and has worked as a Supervising Sound Editor and Re-recording Mixer for 24 years. Still working on indies and larger film productions, he has added television series work over the last 10 years, bringing a cinematic sensibility to his broadcast work. Seismic Post Audio is also home to software development for post audio applications, with an eye toward making Pro Tools session organization and navigation faster and easier.
Rob Walker
Rob Walker works in cinema, sound installations and compose music and has over 25 years experience creating sound and music by myself and in collaboration. He is drawn to edgy contemporary subject matter and strong creative directions.