We usually think of Revoice Pro from Synchro Arts as software designed for vocals. In fact, it works on any monophonic material. In this video, I’ll take a guitar solo and use Revoice Pro for some unique processing.
Starting with a straight lead line, Revoice Pro’s Doubler process is the perfect vehicle to create as wide or tight a double-tracked part as you want. Once the doubled track is generated, it is a simple matter to adjust the tracks' timing in real-time. Adding in formant shifting and vibrato offsets add a layer of differentiation to the generated track.
With the doubled track in place, Revoice Pro’s Warp process is another useful tool. In this example, I use it to introduce a third guitar part, complete with pitch-shifted notes for interesting harmonies.
The result is a thick, rich-sounding guitar part, all built off of a single lead line.
See how quickly and easily Revoice Pro 4 conforms three doubled tracks to an already tuned and corrected lead vocal.
See how Revoice Pro 4 is used on a mono guitar track. First, a doubled track is created. Then delay time, formant shifting, and vibrato characteristics are customized. Finally, a third part is generated, and specific notes are harmonized with the original and doubled track.
See how the Revoice Pro Audio Performance Transfer settings panel puts the user in control of how tightly aligned the timing and pitch are between multiple vocal tracks. Adjustments are applied instantly, for alignment in keeping with various genres or styles.
Revoice Pro 4 has all the tools necessary to improve even a jazz vocal with lots of nuance and detail that we don’t want to disturb. When you have a great performance with delicate phrasing and vibrato that you know can be made better with a few subtle tweaks, it must be approached gently. We show you how.
Eli Krantzberg’s greatest loves, beside his wife Mariam are drumming, his vibraphone, Logic Pro, and jazz. Leader of a commercial band for three decades, Eli has been demystifying and simplifying music software since 2008.