Spill from Neyrinck is an AAX Native, DSP and AudioSuite plug-in for Pro Tools. Spill saves huge amounts of time by adjusting channel levels on surround audio and bus tracks, just like the “spill” feature found on high-end digital film consoles. Spill supports Avid control surfaces and the V-PlugIn app for first class, hands-on control.
Russ gives an overview of the FREE DMG Audio Trackcontrol plugin for use in all popular DAWs.
We are thrilled to announce that even more prizes have been added to the list for the Innovation Awards 2016 courtesy of AMS Neve, McDSP, Eiosis, Slate And Sound Radix.
Last year, Tegeler Audio Manufaktur announced a new type of multipurpose outboard compressor that appeared to be all the compressor anyone would ever need. I was very interested in how the hybrid analog/digital workflow could work in my workflow. This week welcomes the launch of that product, Der Kompressor - The Schwerkraftmaschine.
Non Lethal Applications have released the latest update to Video Slave - version 3.1. They have been busy taking feedback from users and this latest version includes the following updates
Our friends at Sonarworks have released 16 new average headphone calibration files for their brilliant headphone calibration plugin found in Sonarworks Reference 3. The full list of both new and current Sonarworks headphone calibration files are listed in this article.
We went to the AMS Neve Christmas party at Goldcrest to see how they've built a hybrid Avid S6 / DFC 3D solution
If you like reading and are looking for some gift ideas to put on your list then check out our team recommendations. We are a mixed bunch so expect a mixed list.
I have talked about Soundly a couple of times on the podcast as my Find Of The Week even though it has been in public beta for a long time. It is already my go-to sound effects librarian software and now it has been officially launched.
Have you ever wondered how in the days of tape, long before DAW’s, audio engineers could do seemingly simple things like reliably locate specific points in a song? Or even automate an entire mix? How about spotting a sound effect in post-production and working on a film set to get accurate synchronisation of location audio?
Last month we ran a competition where we offered one person the chance to win a copy of every single sound effects library in the SoundBits library and two runners up prizes of a 4 Pack collection of their choice from the SoundBits catalogue. We can announce that winner is Holger Jung and the runners up were Claudio Demel and Chris McIntosh.
We are preparing two special podcasts as we move from one year to the next. The first show will be our review of 2016 and the second show will be looking forward to what 2017 might bring, and we would like to hear your thoughts to include on these special podcasts.
In this free tutorial from pureMix, Ben Lindell demonstrates how he sets up his mix bus processing on a nearly finished mix. Using Universal Audio UAD plug-ins, Ben takes this dance-pop track from sounding good to great!
Avid are offering users who have either allowed their upgrade plan to lapse or have never upgraded to Pro Tools 12 the chance to buy what Avid call a reinstatement plan and if you buy and activate a plan before 31st December 2016 you will get an extra year of upgrades free.
Avid have announced today that they have heard the comments from users about the limits in the paid plans for their cloud collaboration plans and they have now dropped the project limits on the two paid for plans.