In this premium video tutorial, Pro Tools Expert team member Julian Rodgers re-examines the EQ curves view in the Pro Tools Mix window and finds a reason it is more useful than he previously realised.
Find out more in the video tutorial.
In this premium video tutorial, Julian Rodgers looks at the various ways to bring collections of tracks together for extra control and convenience. What is the difference between using submixes or VCAs and how do Folder Tracks fit in?
In this article, we build on an idea from a post on mapping Maschine to folder tracks in which Tristan Mendoza highlighted a technique from an Avid Blog article in which a step sequencer style workflow can be achieved for programming beats in a way which is particularly well suited to drum machine style programming.
In this exclusive everything-you-need-to-know guide to mixing music in Dolby Atmos we look at what it takes to make your studio suitable, as well as our exclusive 6 part tutorial series on setting up and using Pro Tools Ultimate and Dolby Atmos Production Suite to work together in Dolby Atmos.
Need some help using the DADman software? Not sure how to set it up? In this article, we have set about bringing as many of the DADman related resources as possible together in one place, including many that you won’t find anywhere else.
Whilst the majority of recording and editing operations in Pro Tools are non-destructive, there are a handful of operations in Pro Tools that operate destructively, meaning that the original files are permanently overwritten. In this article, Paul Maunder explains 5 destructive Pro Tools features to be aware of.
In this premium video tutorial series of 4 tutorials, Paul Maunder covers the various automation features available in Pro Tools Ultimate software covering Read, Write, Touch, Latch, Touch/Latch, Latch Prime In Stop, Manual Write, Write On Stop, Suspend, Preview, Punch Preview, Automation Capture, Punch and AutoJoin commands.
We have had a number of queries about the inner working of the Session I/O Setup window, as it's a part of Pro Tools so few of us ever visit, when we do, it can be confusing because Avid has made improvements since we last used it. To help reduce the fear of the I/O Setup window, Pro Tools guru Mike Thornton explains everything you need to know about the Pro Tools I/O Setup window.
As we have said before, it is best to understand how Pro Tools uses I/O Settings so that you can work with it, rather than fighting against it and if you do need to visit I/O Setup to troubleshoot a problem, in this article, we offer some tips to help you work out what has gone wrong.
In this article, we cover how to set up the I/O Setup window, the best order to do things, like hardware inputs and outputs first, then buses and the importance of saving and backing up your I/O Settings file.
With the introduction of Dolby Atmos into Pro Tools, Avid developed various features, which extends the fold-down option for going down from 7.1 to 5.1 to stereo and takes it one stage further for Dolby Atmos, handling objects, so that you can continue to work on Atmos Sessions in Pro Tools without needing a Dolby Atmos Renderer.