Known for intelligent tools that flash their AI credentials, Sonible’s new smart::deess takes on de-essing with a twist of its own. With automatic parametrization, and non-level dependent treatments on offer, it offers an alternative to classical de-essing.
Why More Audio Plugins Might Not Make A Better Mix
With an endless stream of new, ‘must-have’ products, some engineers could be forgiven for thinking that more is more. Although most know that this is rarely true, where exactly does the line exist between enough or too many plugins? We discuss…
Why McDSP CompressorBank Has Stood The Test Of Time
Although many audio plugin compressors offer a hard choice between classic analogue flavours or digital precision, some can blend the two to the music’s advantage. Here we show you the difference between classic compressor types and how to get their sounds.
Kill Bass Overlap In Minutes With This EQ Move
Getting the low end right in the mix can be elusive. There are the tried and trusted ways that can get the engineer to subsonic nirvana, but some issues call for more than a couple of EQ scoops or fader rides. We show you how…
Not Many People Know About This Cool Feature In Waves Scheps Omni Channel 2
Most engineers will be familiar with the VST audio plugin format that started it all, however being able to use it in Pro Tools will be news to some. Here we detail what Scheps Omni Channel 2’s VST3 hosting means for Pro Tools users.
We Check Out McDSP 6034 Ultimate Multi-band
Living in its own virtual lunchbox, 6034 Ultimate Multi-band is McDSP’s dynamics toolkit offering original designs and old favourites too. With so many multiband processors out there, what if anything does it do differently? We find out…
Shape Your Reverb With Compression
Once the reverb return has the effect of your choice across it, the fader or send is not the only way to control the reverb level. Here we outline how doing it dynamically with compression can be quicker and more agile.
Do You Know These 5 Compression Techniques?
Dynamic range compression is one of those subjects I feel gets more interesting the more experience you gain using it. Part of this is because of the number of different ways compression can be used. Here are 5 contrasting tasks the humble compressor can be used for in a mix.
AIR Sprite - We Take Our First Look
From instrument and effect veterans AIR Technology, Sprite sets out to do multi-effects differently. With two modes to keep both performers and tweakheads happy, we take Sprite’s clean lines and fresh sounds out for a spin.
Three Ways To Get More Snare In Your Overheads
With a more natural snare drum sound to be had in the overhead mics, trying to bring it forward from cymbals and other elements in the mics can be a challenge. Here we share three ways to get away from close mic boredom.
Five Audio Production Things We Loved In July 2023
Whether summer means the beach or the ski slope, some engineers will still be in the studio taking in the sights and sounds of the newest gear and software from names big and small. Here we round up our favourite pieces from July.
New SSL G3 MultiBusComp - Expert Review
SSL’s brand new G3 MultiBusComp sets out to deliver addictive glue, punch and gloss with one key difference: multiband operation. Promising the G-comp experience for traditionalists, plus turbo-charged bus shaping for everyone else, here we get the Experts’ verdict in our exclusive first-look review.
How To Get Believable Virtual Drum Sounds Fast With Handy Drums
Composers and engineers aren’t short on choices when it comes to virtual drummers, but some contain endless options. Here we ask what a song really needs and share some tips on choosing and using an instrument with some easy moves.
Wave Arts MultiDynamics 7 - We Take A First Look
Wave Arts’ recently updated MultiDynamics 7 extends the company’s dynamics toolbox with new features that aim to outrun the competition. What can it do that the others don’t? We put it to work on our mix to find out…
Recording Vocals - Start Here
Of all mix elements, getting vocals right is pivotal to the success of any production. With all ears on the song’s centre-piece, it’s perhaps the one mix element that everyone notices. Here are our tips for serving the song as well as possible.
Melda Production MDrumStrip - First Look
The ubiquitous channel strip plugin known to most occasionally comes in drum-shaped flavours. Going one further, we check out one solution that has a flavour for each drum. We put it to work to see what it can do.
Massenburg DesignWorks MDWDRC2 Native - Expert Review
The traditional dynamic processors known to most have their limits. Setting out to provide maximum transparent dynamic control, even at the extremes, we put the latest from the mind of audio giant George Massenburg to the Experts…
Seven Plugins That Make My Mixes Easier
While some audio plugins get a slot in the mixer almost by default, others can save the day on those occasions where things need a specific, easy fix. Here Luke shares his seven tools for music that make his mixing life easier whatever the task.
How To Get Masters That Work In The Real World
Despite an end to the Loudness War, getting louder masters for bass-heavy genres is still a consideration for engineers working in these styles. Here Erman Aydöner shares with us his moves for healthy masters without skimping on the low end.
Chandler Limited RS660 Tested - We Check Out Real Mojo In A Box
While audio plugins can be indiscernible from the real thing, for some the only way to get mojo is to get some electrons moving… With some seriously impressive parentage, we check out Chandler Limited’s RS660 valve compressor.