It’s official! The Everything Bundle is dead, long live the new Slate Digital All Access Pass. Steven and the team at Slate Digital are very pleased to announce the all new All Access Pass.
In this article we suggest a number of alternatives to regular compressors which all do the job of dynamic processing very well, though not all process audio in the traditional sense of a compressor, which makes many of these good alternatives to traditional compressors. Some preserve dynamics, which can reduce audible compression artefacts, whilst others are more geared towards providing the effects of compression but within a GUIs that are super simple to use, which can save users valuable time in the mix.
In this in-depth article we unpack all the new features introduced with Neutron 3 from iZotope and help you to be able to get the best out of Neutron 3 as well as sharing what we think about this latest release from iZotope.
The team at Universal Audio are very pleased to announce their latest UAD-2 software 9.9 update. Once again they have collaborated with Softube to bring us an updated version of the Tube-Tech CL-1B MKII Compressor but the big news for this release is the new Capitol Chambers plug-in. An exact software recreation of 4 of the legendary Capitol Studios echo chambers. If you like real reverb. This one is a must.
When you think of a limiter do you think of a brickwall plug-in or an analogue device? Both qualify but has our working definition of limiting changed with the technology? Mike and Julian fail to agree…
In this free video tutorial Eli groups the backup vocals to a stereo bus, but also sets up a parallel mono bus for them. Using a slow compressor on the stereo bus to get an excellent thick, lush sustain to them. On the mono bus a faster compressor is used to bring out the attack of the consonants at the beginning of each word.
Adaptive compression is one of POWAIR’s party tricks. If you need to use the same amount of compression throughout a track but the performance is too dynamic for one threshold setting to work then this is what you need.
They both do similar jobs. What is the difference and which should you use?
We take a look at the new Gates Bundle for Virtual Mix Rack from Slate Digital. In the video we first test the Drums gate on Kick drum, Snare and Toms, before trying the Classic gate on a Vocal track.
GetGoodDrums is an impressive new company. Their purpose built Smash and Grab drum compressor brings a surprisingly fresh, intuitive, and musical plug-in to the table in an already extremely crowded market. In this video, you’ll see and hear how it works on more nuanced and complex drum parts; that use grace notes, dynamics, fills, rolls, and more.
In this video with the support of Universal Audio, Paul Drew shares his thoughts and ideas when it comes to mastering the track Thought of Love by Rooftop Renegades. In this final part in the series, Paul shows us how he uses the SSL Bus Compressor to glue to mix together then he reaches for the new Brainworx bx_masterdesk, which he uses as a “one stop” mastering processor.
Our friends at Plugin Alliance have announced the release of the Maag Audio Magnum K, as plug-in emulation of the Magnum K compressor from Maag with some added extras from Brainworx.
In this premium video tutorial, Pro Tools Expert team member Julian Rodgers considers five different mechanisms employed by hardware compressors to achieve the results they do. Each method belongs to a different period of the history of the developments of audio technology and each sounds different. Hear the differences in sound in in how they work.
DeEsser plug-ins are undoubtably essential tools to have on standby in today’s modern vocal production workflows. Every major DAW ships with at least one stock DeEsser plug-in, however, there are a number of amazing third-party DeEsser alternatives that are well worth checking out if you are plan to either swap out or upgrade your current stock DeEsser of choice for something a bit more special… or specialised…
I was very excited to find out about the new SSL Stereo Analogue Colour processor, The Fusion and I was even more excited when the good people at SSL called me to say they were sending me one. In this article we are going to show you what the Fusion can do enabling you to see the unit, find out more about it and then hear it in the best way possible.
Multi-band compressors can take too much time to set up and tweak. Leapwing have designed their DynOne to have fixed bands where you are literally mixing in the compressed signal. there are also min-max values for attack and release, and you can set different timing depending on whether the signal is transient in nature or not. In this free video tutorial brought to you with the support of Leapwing Julian Rodgers show you how the Dynone works.
News of the new tape emulation plug-in “Reel To Reel” may have passed you by in the raft of updates Antelope Audio have been announcing to their FPGA based real-time effects platform. In this video from the team at Antelope check out how the 4 different flavours of tape emulation Reel To Reel offers can be use to gently add colour and dynamics to your music.
Oeksound describes soothe as "a dynamic resonance suppressor for mid and high frequencies", but what does that mean? In this article we test soothe on a variety of source tracks to find out if soothe is something to get excited about or not.
Today at The Blackbird Academy in Nashville, TN students wrote reports on some of the most iconic compressors from the last 60 years. If you've used them, put your stories in the comments section. Or maybe you've used them as plug-ins. What's your favorite style of compression? The models pictured below range from tube, solid state, vari-mu styles, feedback, and feedforward. Tell us your thoughts and what style and model floats your boat.