Leapwing Audio are offering 20% off their DynOne Smart Parallel Multi-Band Dynamics Processor and CentreOne Spatial plug-ins
Check It Out Today To See If The Software And Plug-ins You Use Support Apple's 10.14 Yet.
Eventide has released the SP2016 reverb plug-in, based on their hardware model released in the 80’s. The hardware unit was one of pro audio’s first rack-mount multi-effects processors This newly released plug-in version features great sounding rooms and plates. See it in action as we put it to work in Logic on various tracks.
Fellow colleague and sometime logic-pro-expert contributor Edgar Rothermitch has just released his latest GEM (graphically enhanced manual) covering the recent Logic Pro X 10.4.2 update. For those of you living under a Logic rock who may not be familiar with his work, Edgar simply does the absolute best third party manuals on the planet.
We’ve been getting reports of some issues with how Logic Pro 10.4.2 implements the ARA2 protocol, some may consider it a bug, others not, however if you are not careful you may lose hours of work.
ARA , or Audio Random Access, has been around for several years. Logic users were always on the outside looking in, while users of Studio One, & Sonar were enjoying the party. Logic users are now finally invited. Our invitation has arrived with the release of Melodyne 4.2 by Celemony.
The new smart tempo multitrack sets have a feature whereby you can exclude specific tracks in the set from contributing to the tempo analysis. There seems to be a bug with this feature though. Check out this free video to see the workaround.
Apple has just released Logic Pro X v. 10.4.2. Version 10.4.1 was a rapid response release, focused primarily on squashing bugs introduced in version 10.4. This new version is a bona fide update, replete with new features as well as bug fixes and workflow enhancements. Learn all about it here!
Groove3 viewer David Zarzecki contacted me with a really nice tip involving Logic and EZ Keys. Learn how to playback the EZ Keys song track through other instruments in Logic without having to export.
Ever wonder how different the Logic Compressor models really are? Mastering engineer Holger Lagerfeldt decided to answer that question. His findings are now available in a succinct, yet in-depth PDF.
Here’s something that is 100% transparent, uses almost 0 CPU and in certain cases, can save you hundreds of dollars in repairs, downtime and even worse, hearing damage. Cerberus Audio Ice9 Automute is instanciated on one’s master bus and acts as if one had fuses installed in one’s studio monitors.
Each member of the Logic-Pro-Expert team offers a bit of insight on which interface they currently use with Logic Pro X. Whether you are shopping right now, curious about what key features may become something you’d want in the future or just keeping track on what’s available out there, this article is sure to provide some interesting and useful information.
Our friends at PureMix produce lots of excellent content for Pro Tools users. In their new Jumpstart series they are giving a little extra love to the Logic Pro X community.
In this exclusive pureMix.net Quickstart Series, Logic Pro X Expert, Scott Griffin, guides you from the first time you open the program through to using powerful features such as flex time and flex pitch.
Just imagine you can have the power of 1073 EQ’s with the SCHEP 73 emulations throughout your entire mix. Gotta love that!.
We had a Logic related question come in recently from listener George Majerus via the pro tools expert podcast. It’s a subject that I’ve seen come up over and over in various forums and discussions. Thank you, George, for asking about time stamps and bouncing in mono. Let’s explore the answers:
Most Logic users rely on the Channel EQ for basic tasks. But which third party EQ plug-ins do you reach for when you want to add something a little different or unique to the sound of your tracks? Find out which ones our logic pro experts like to use when they want to add some special sauce to their mixes.
It has only been very recently that the phase shifter has been rediscovered as the great effect it really is. There has been a resurgence with new versions and re-issues from boutique as well as the old guard pedal makers, In the past year, we have also seen a number of plug in developers offer their take on the phase shifter. In this article, we’ll take a look at a few of my favourites.
Hoo boy... my spidey senses are already tingling as Logic users the world over wince at the title of this post. But I'm standing my ground here:
I prefer Flex Pitch Over Melodyne For Pitch Editing in Logic.
I am not a keyboard player. Sure, I play a little. I have a little bit of technique. And I know what notes to play and when to play them. But I don’t have the piano technique to execute my ideas at fast tempos. Enter Logic’s tempo sets as a convenient way to switch between a slower part entry tempo, where I can play in my parts with the timing and feel that I want, and a faster playback tempo, where the parts are played back at full speed.
In the first part of this article, we looked at creating an Articulation ID set for a third party library from scratch. Creating articulations on the Articulations pane, and setting the transformation in the Output Pane of the Articulation Set Editor were the first steps, making this articulation set usable for editing articulations after notes were entered. In this article, I’ll show you how to set up create and customize key switch assignments for real-time articulation switching, how to use score symbols for articulation switching, and how to make your Articulation ID set portable between projects.
In this Expert Tutorial, contributor Chris Vandeviver walks through dicing up and creating your own electronic kits by using Flex Time to quickly break up drum loops, exporting the samples back into the Project Browser, and dragging and dropping the samples right into an Empty kit.
The elusive ingredient we all always seem to be searching for is the perfect emulation of analog circuit components and characteristics. Hear for yourself if True Iron by Kazrog fills the need.
In this post, I’ll walk you through the steps involved in creating a basic set of Articulation IDs for the Chris Hein Ensemble String Library. The same principles apply however to any third-party multi articulation based software instrument.
In this video, I’m going to take two different instances of Halls of Fame, run serially on a return bus, to create an interesting and unique vocal reverb. By trimming the start and end points, combining two different IR’s is a fun and creative way to create a unique vocal reverb space.
Plug-ins are the hot topic of the day. Andy Cherna digs deep into the psyche of Logic users, and offers some thoughts on how to get the most out of what you have.
Do you use an audio interface with a talkback button? Save your button pushing energy for more important tasks with this free plug-in. Muteomatic from SoundRadix does the Talkback button pressing for you!