In this video we use a mix of several UAD plug-ins to bring out the best character and tone of Logic’s Neo Soul producer Kit, as played by the Logic Pro X Drummer Curtis.
As full featured as Logic Pro X’s internal FX are, one unfortunate omission is a tape emulation plug-in. So, this is a very worthwhile addition to Logic’s built in processors. I'm a big fan of tape emulation technology. And the simpler it is to use, the better, in my opinion. In this video, sponsored by Universal Audio, I show two different approaches to using Oxide Tape in a real-world mix. They both work, yet yield slightly different sonic results.
n this video, sponsored by Universal Audio, I have Montreal session drummer Jean Nadeau in my studio to lay down some drum tracks. We set up sends on the five drum mics to Aux 1, using Ocean Ways Studio reverb and Oxide Tape. And then to Aux 2, using the Neve 33609 and Elysia Mpressor for a drum crush bus. Both Aux channels are printed to Logic Pro X independently of the five drum tracks.
Universal Audio’s Century Tube Channel Strip is the perfect first step in getting a warm and fluid brush sound. Close drum mics don’t generally need as much gain as quieter sources like acoustic guitars, or even vocals. This is the perfect scenario to take advantage of the Century Tube Channel Strip’s gain staging. Engaging the pad and then boosting the Level knob results in a nice thick warm tone. Combine this with a nice steep low mid roll off and a subtle 10k boost in the EQ section, along with a few dB of sweet vintage opto compression and you are halfway towards your final drum sound. Add on Universal Audio’s Pure Plate reverb, and you’ve got a sound with real personality and vintage charm.
In this video, brought to you with the support of Universal Audio, my buddy Morey Richman and I put the Suhr SE 100 guitar amp and the EP-34 Tape Echo to work on a couple of guitar parts. Each with subtly unique and colorful tape delay settings. Combined they create a thick and rich unique sounding guitar tone.
In this video, sponsored by Universal Audio, we look at using the Lexicon 480L on a pop vocal duet. Using Lexicons Random Spaces algorithm, we use the Lexicon’s unique pre-echo, spin, and wander controls to work to craft a unique and compelling vocal space to help the vocals sit nicely in a relatively dense arrangement.