Do you use Waves H-Delay in your mixes? Did you know that you can quickly inject more fun into your H-Delays using Waves GT-R Stomp boxes? Check out this quick tip video to hear fuzz, octaver and wah broaden the stock H-Delay sounds in seconds.
In this free video tutorial, brought to you with the support of Waves, we show you a super simple way of adding interest and edge to the tone of your vocal tracks using a touch of guitar amp plug-in processing. In this rock track we use Waves’ excellent GT-R plug-in on an effects return to make it quick and easy to dial in the perfect amount of edge to the lead vocal, watch this short free video to hear this in action.
Backing vocals often get lost in the mix, an easy way to represent them without increasing the volume is to spread them into the edges of the stereo field. In this example we’ve got 4 backing vocals, bused to a sub mix, two of which are panned hard left and right. These sound reasonable enough but they could do we some extra stereo reach to sit better in the mix. This is easily achieved with the S1’s Width control.
In this free video tutorial, brought to you with the support of Waves, we show you how to shape the dynamics of your lead vocal tracks in seconds using dual compression in Waves MV2 Plug-in. In a previous video I showed you a way to mix your lead vocal tracks with two compressor plug-ins, Waves CLA-2A & CLA-76, in this video we show you an alternative way to dual compressor your vocals using this, waves MV2.
In this video we demonstrate this popular vocal mix trick on a lead vocal track in which some of the notes in the performers lower register sink beneath the density of the mix where their loud notes poke out too much. Learn how two compressors together can really help to “spread the loud”
I’d like to see a show of hands… Who uses Waves H-Delay? It’s a personal favourite of mine - I’ve yet to find a better plug-in for delay. There are those types of mixes when reverb seems to do more harm than good, especially on lead vocal tracks as medium to long reverb tails can quickly “blur the lines” of definition within the bigger picture of the mix. A fantastic alternative to use instead, or with a small blend of reverb, is delay as you can stamp a subtle tone or shimmer to a lead vocal without the effects bloating out the mix. We show you how in this quick tip video.
Typically when working with multiple instances of console emulation plug-ins we work through a mix on a track-by-track basis only viewing one set of EQ controls at a time, not anymore. The bucket view in Waves CLA MixHub enables us to view up to 8 channels at a time making EQ in plug-in form feel more realist and true to analog console workflows of old.
30 bands of EQ? Surely that’s overkill? Watch this free video to hear how Waves GEQ CLassic quickly improves the overall tonality of a dull sounding mix. Does Waves GEQ have some of that mix bus magic we’ve been looking for in this series??? Watch and find out…
Watch this 2 minute video to hear how the Manny EQ by Waves can breathe life into a muddy mix in a matter of seconds.
H-Comp combines modelled transformers, tubes, and transistors, together with the power and precision that only a plug-in can provide. H-Comp is a compressor with spades of attitude and grit. It can be used as subtly or aggressively as you want. The release sync mode and punch dial make H-Comp unique providing a vast pallet of dynamic styles that are effortless to set.
In this free video we demonstrate the power of Waves Vitamin multiband harmonic enhancer plug-in on a master. In this video you will hear how Vitamin lifts the tonality of a muddy mix in seconds.
In this free video tutorial, brought to you with the support of Waves, we demonstrate the power of Waves’s mighty Linear Phase Multiband plug-in on a master. We’ve looked at several very good plug-ins by Waves in this series, we can not continue our search for the best mix bus plug-ins by Waves without taking a look at this… Waves Linear phase multi band, named LinMB for short, it’s an oldie, but a goodie.
In this 2 minute video we demo CLA MixDown. The key to getting the best results from CLA MixDown is by applying extremely subtle amounts of each control. Top Tip: Don’t forget to balance the output level when comparing your unprocessed mix with your CLA MixDown processing.
Made in collaboration with the EDM production powerhouse duo Infected Mushroom, Pusher provides an easy to use toolset of enhancer processors which enable users to quick impart sheen and weight to mixes. In this video we use Pusher to bring up the low mids in a mix as well as the overall presentation and vibe.
Made in collaboration with the parallel processing guru Andrew Scheps, Parallel Particles features four main tonal controls that together help to lift a mix gently and musically without resulting in mixes that sound touched or mangled. In this tutorial we feature a mix example which sounds great, however, it’s lacking in the low mid department so we use Parallel Particles to quickly apply some energy and vibrance to help present the mix better.
Mastering can be an elusive subject, but it doesn’t have to be. The streaming age has declared war on the loudness war itself with new LUFS standards, allowing you to maximise the dynamic range of your masters without compromising the size and punch of your mixes in order to stay competitive. In this Mastering Case Study, Grammy Award Winning Engineer, Fab Dupont, masters a single for the artist “Effee”, and shows you how to get the most from your masters.
In this video we feature an over “punchy” drum mix example that’s all crack with little in the way of body, tone and sustain. There’s a cool way to use Waves Smack Attack which involves some parallel processing using Smack Attack’s mix dial. Listen to how we blend back in some of the original unprocessed “crack” which gives this example a nice rhythmical vibe.