Avid has been working on Avid Link to replace Application Manager. We announced that Avid Link went into public beta when we were at IBC 2018 in September last year and now on the first day of NAMM 2019 we can announce the first full version of Avid Link app - 2019.1.
At their NAMM booth this year, Avid are showing the next version of Pro Tools, which Avid say is “coming soon”, but we understand that the exact release date is yet to be set. We have all the facts.
30 bands of EQ? Surely that’s overkill? Watch this free video to hear how Waves GEQ CLassic quickly improves the overall tonality of a dull sounding mix. Does Waves GEQ have some of that mix bus magic we’ve been looking for in this series??? Watch and find out…
Pro Tools groups are one of the most powerful tools available when mixing in Pro Tools. The ability to nest groups of tracks within multiple, overlapping groups offers control far beyond that available using submixes and the addition of VCA faders brings huge control. Something which many overlook is the presence of little dots next to the groups in the groups list. What do they mean? Watch the free video and see the difference in action.
In this week’s podcast, Mike, Julian and James look forward to the NAMM show, discussing the products they are excited about seeing, they also pick up the 10 year challenge but instead of thinking about how they looked ten years ago, considering how their studios have changed in ten years. The team also answer your questions and share their finds of the week.
In this premium video tutorial our resident loudness guru Mike Thornton takes us through how to use the the TC Electronic LM1n loudness metering plug-in. The advantages of the LM1n is that it doesn’t take up much screen real estate and the LM1n’s simpler display also makes it ideal for multi-skilled staff and for use in other sectors like mastering for music streaming and albums.
The Louder Than Liftoff Chop Shop EQ is a simple, powerful EQ which combines a high and low pass EQ with a tilt style focus filter as well as some other tricks. In this free video tutorial, brought to you with the support of Plugin Alliance, Pro Tools Expert team member Julian Rodgers uses the Chop Shop to bracket and thicken the guitars in a session, controlling the high end while adding a little weight to the bottom end.
Watch this 2 minute video to hear how the Manny EQ by Waves can breathe life into a muddy mix in a matter of seconds.
Trimming to the boundary of the next clip on the timeline should be easy, and it is. The necessary commands are found under the edit menu. See the comments on the images in the slideshow to see the options.
In this week’s podcast, Russ, Julian and Alan discuss our recent series on third party plug-ins, asking Alan what he would need in addition to the stock Pro Tools plug-ins to get his post work done. The team also answer your questions and share their finds of the week.
The SPL Iron Mastering compressor From Plugin Alliance is a transparent compressor, inspired by the vintage compressors which is versatile enough to adapt perfectly to the needs of modern mastering studios. Pro Tools Expert team member Julian Rodgers looks at the unfamiliar Rectifier control which emulates the different rectifiers available in the hardware unit.
Avid has announced the line-up of audio professionals for its 2019 NAMM booth (#15502) Main Stage Presentations from January 24th to 28th, 2019. The good news is that for all of us who aren’t going to be at NAMM we will be watch it live as Avid will be streaming the Main Stage Presentations through their Avid Link app.
In this premium video tutorial, Pro Tools Expert team member Julian Rodgers takes a close look at Crossfades, specifically the choice between Equal Power and Equal Gain crossfades. The two common choices are equal power and equal gain and one of these will most likely be the best fit when creating a seamless crossfade. Which is the best choice depends largely on the nature of the two sounds being crossfaded, find out more in the video tutorial.
Selecting all the clips on your timeline should be simple but unlike many pieces of software, using the standard CMD+A (Control+A on PC) doesn’t select all the clips on every track, it selects all the clips on the track your selection point is currently on.