Russ takes a look at Red Giant PluralEyes 3.5, a piece of software that claims to be able to get multiple video and audio sources in sync in seconds. Does it live up to the claims? Find out.
With a touch of a single button, PluralEyes analyzes the audio from your cameras and audio devices and syncs them up, in seconds. No clapboards or timecode are needed.
Acoustica is great for audio editing, post production, mastering and restoration with a set of tools that can also be used in your DAW because they also come as AAX, VST and AU plugins. Here, Paul Maunder takes a look at the ones he uses most often for his post production work.
This decade has seen some big changes in how the industry gets things done remotely. With a number of competing platforms letting audio pros do their thing wherever they are, here we round up some of those out there and what they offer.
While Imposter Syndrome is typically viewed as a hindrance to success, it can actually be reframed and used as a catalyst for growth and productivity. In this article, we will explore how composers, musicians, and audio professionals can harness Imposter Syndrome to their advantage, turning doubt into fuel for personal and professional development.
Blackmagic Design has announced DaVinci Resolve 19 with over 100 new features, including some impressive tools for audio in the Fairlight section. We have the details.
The all-conquering real time audio plugin might be the first stop for audio processing, but rendered treatments can still have their place. Here we look at the Why and How of offline audio processing in the age of mega-track counts and ever-faster computers…
As some budgets get smaller, attended client approvals for post production mixes might be a luxury some projects cannot stretch to. In this video, Paul Maunder and Luke Goddard check out one tool that allows post mixers and clients to review and collaborate remotely.
Following its recent big update, Paul Maunder demonstrates some of the new features in the Soundly sound effects platform which he’s finding most useful for his Post Production work.
We are seeing loudness normalisation in more workflows, not just broadcast audio but music streaming services, too. There is a wide range of Loudness meters out there now, and we thought it would be helpful to provide a round-up of the different options that are now available. We know it is not completely exhaustive, but it covers the main players in the loudness meter plug-in sector.
Audio production is facing attack from several sides, some technology based, and attitudes that expect us to do more with less. I've come to realise that technical skills alone are no longer sufficient to stand out. Today, distinguishing myself requires a blend of abilities and character traits that extend beyond mere technical proficiency. In this article, I'll look at two fundamental character traits that I believe set modern audio professionals apart, the second one may surprise you.
Here’s our five things we think should be default in a DAW, in other words, on unless you choose otherwise.