Entries in tips (126)
We have had a great response to our appeal for tips from the community and each week we are continuing to give away a storm-trooper iLok to the best tip of the week. Here are some of the tips that were submitted to this week’s show…..
- Jonathan Becerra My tip is to make a ritual with your iLok so that you never forget where it is at all times. Since the iLok is the holder of your most valuable licenses I believe that it should be the forefront of your studio set up and tear down ritual. Get a small lock box for the iLok that you can secure to an underside of your studio desk. Once there always start and finish with getting your iLok form the lockbox so that it becomes a habit. Hope this helps with some security and paranoia of messing up or losing your iLok!
- Espen Hollund I just want to share some of the shortcuts I use all the time to speed up my workflow. When renaming tracks you can hit cmd+enter or cmd+rigt arrow or cmd+down arrow to get to the next track to the right. If you want to go to the next track to the left hit cmd+left arrow or cmd+up arrow. This saves a lot of time compared to double clicking each track. When I’m zooming I always use the keyboard shortcuts. I then hit cmd+] to zoom in and cmd+[ to zoom out. I also think the possibility to dial in nudging distance in samples is worth mentioning again for new listeners. Set nudging to samples, dial in how many samples you want to nudge, select the clips you want to nudge and hit + or - on the numeric keyboard to nudge. Also the cmd+= is a must-know-shortcut for everybody with just one computer monitor. Hit escape when in the edit window to switch between the different Edit Tools (selector tool, smart tool etc.)
- Micke Løvdalen I’ve found a really crazy shortcut in PT 10 Mac. On an audio track, make a selection and press Shift-Ctrl-alt and number 3. This will give you a sine wave at 1k.
- Brian Russ Read The Manual aka RTM or RTFM. Seriously, it will save you precious minutes you will otherwise not get back, wishing you had spent time in the alps yodeling out to the valleys below, or whatever.
More later this week, including this week’s winner.
Russ shows how a little keyboard shortcut knowledge can help you create MIDI versions of audio loops - no extra software necessary.
Russ uses the very cool Blue Cat Audio MB-5 to show how to sweeten a mix using multi-band compression.
Reports have been emerging that sessions using the new 64-bit AAX version of UVI Workstation are causing Mini Grand to lose sound. This is a confirmed bug.
No word on this bug from UVI yet; however, a workaround is to instantiate UVI Workstation LAST on a session - also, make the UVI plugin INACTIVE before saving the session, which will force other VIs to load before UVI when reopening that session. Once the session is open, go ahead and reactivate UVI.
We’ll let you know when there’s a permanent fix.
Russ shows how to get a cool reversed piano effect in Pro Tools.
In this video Russ shows how some pre-planning can create some powerful offline bounce workflows for those using Pro Tools 11 HD.
Russ shows how to use elastic pitch in Pro Tools to alter notes in performances, no auto tune software required.
Owners of both Digi002 and Digi002R were a little concerned when Avid put it in the “might work” options on their list of approved interfaces. Anyway Eric Johnson has taken the plunge with Pro Tools 11 and reports are postive, here is guide to how he got up and running! Thanks Eric, you’re a star.
In the hope that it might be helpful to someone else, here is how I updated my Pro Tools system on Mac OS X Mountain Lion from Pro Tools 10 to Pro Tools 10 and Pro Tools 11. My Mac Pro is a 2008 8-core (dual 2.8GHz quad-core) ID 3,1 w/ 16GB RAM and a plethora of disk volumes, and my interface is a Digi/Avid 002 console. Neither my computer nor my interface are officially supported by Avid for Pro Tools 11, however they’re working. Of course I plan to replace both when I am able, but for now I’m thankful for the extended life I’m getting from my existing gear.