Entries in synth (64)
Perhaps the most loved synth on the planet Spectrasonics Omnisphere is getting updated, rather than just a makeover this is an entirely under the hood change.
After many years of development, we are thrilled to announce that Omnisphere 2 is coming in 2015. This is the first v2.0 of any Spectrasonics instrument and it’s truly a gigantic one!
It arrives April 30th, in the meantime watch this Spectrasonics Omnisphere 2.0 video here from Eric Persing.
Features In Omnisphere 2.0
Vast New Synthesis Possibilities:
- Audio Import - Use your own audio file as a soundsource in Omnisphere
- Over 400 New DSP Waveforms for the Synth Oscillator - an increase of 100X
- Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
- Powerful New Granular Synthesis algorithm
- Deeper FM/Ring Mod capabilities for aggressive timbres
- 8 New Filter Types - New Power Filters, Vowel, Resonators
- New Unison Drift models Analog Polysynth behavior
- Expanded Modulation with new sources and many more targets
- Polyphonic LFO and Modulation Envelope options
- Soundsource Reversing
Now includes over 10,000 sounds!
Russ took a look at the Waves Element virtual instrument synth. Find out what he thinks with this show and tell video review.
The Waves Element Synth is on special offer in their Halloween Monster Deals. It is normally $200 but until Monday it is only $79. So if you like it too then snap it up before the end on Monday.
In this free video tutorial Russ shows how to create a sound from scratch using the Waves Codex synthesiser.
In this video Russ shows how to start from scratch, how to modulate the pitch of an oscillator using an LFO, change the envelope. He then shows how to give the sound rhythm and movement using both a sync LFO and the inbuilt sequencer. Finally he adds some effects to give the sound some final polish.
This video is perfect for those new to synths and who want to know more about programming and moving beyond presets.
Plug-in developer Oli Larkin has updated his tone modulating Endless Series Plug-in to AAX 64 bit,
If you have not seen (or heard!) this plug-in you really have to check it out, as words cannot really describe its sound except its…..Endless!
Have a listen to the audio demo’s here or download the demo version and try it yourself.
Heres what Oli say’s about the release:
Endless series is a unique multi-effect based on the Shepard Tone auditory illusion, which generates mind bending risers, infinite scales, psychedelic drones and fascinating sonic textures. It works as a tone generator, a ring modulator, phaser, flanger or resonant filter bank.
• Added 64bit AAX Native version for Pro Tools 11.
• Fixes for retina Macs.
• Several other small fixes.
• New demo version available.
Full details, Sound examples and demo version available at Oli Larkin’s website.
Waves Codex is a cutting-edge polyphonic synthesizer based on an advanced granular wavetable engine and powered by Waves’ Virtual Voltage technology.
In this video, producer/engineer and Codex developer Yoad Nevo (Bryan Adams, Jem, Pet Shop Boys, Sugababes) demonstrates some of the endless sounds you can create with Codex, Waves’ brand new advanced wavetable synthesizer.
Waves’ Codex synth comes with hundreds of original sound presets, and also lets you import your own audio files and turn them into wavetables for further manipulation. With advanced formant control technology, Codex maintains consistent resonance character that is true to the original signal and gives you direct control over the acoustic resonance of the sound.
Designed to create sounds that range from warm acoustic and analog emulations to completely new, never-before-heard intricate and evolving textures, Codex’s sound design capabilities put new possibilities at your fingertips.
Waves Codex Synth Features
- Cutting-edge polyphonic wavetable synthesizer
- Powered by Waves’ Virtual Voltage Technology
- Innovative oscillators with progressive wavetable scanning capabilities
- Advanced and comprehensive Modulation Matrix
- Formant control – direct control over the acoustic resonance of the sound
- Wavetable (sample) importing
- User-replaceable wavetables
- Arpeggiator/16-step sequencer
- Integrated chorus, delay, reverb, distortion and bit crusher effects
- Visual dynamic waveforms
- Plugin and standalone instrument
Waves Code Synth Pricing
Normally $200, with an introductory offer of $99
Synths appear so much in modern music, be that in dance, pop or even in film scores. If you are not careful they can just add mush and swamp a track like a blanket or an arp can be just an annoying riff.
Here are our 7 top tips for making them work harder for you.
Filters Are Essential
Filters are cool. Of you have a pad sound you can add some movement to it, either as a long sweeping filter or an organic LFO driven filter. This works well on pads as well as strings. Read this free article on using filters in Pro Tools
Sometime A Big Bottom Is A Bad Thing
Roll off the bottom end with a 1 band Eq. Simply insert and then filter out everything from around 120Hz downwards. It can help remove a lot of mush and give space for the bass and kick.
Make Your Own Arpeggios
Be creative with arpeggios. It is easy just to find a cool preset arpeggio, hit the keys and just let them play. Instead create you own with step input, copy and paste and some transpose. You would be amazed how much better your own creation sounds.
Stacks Sound Better
Stack the sounds. Try building layers of sounds to create new and complex ones. Add some metal, pad, sweep and the see how they work with each other. Watch this video to see how to do it
Time Based Effects Can Really Add Interest
Have fun with delays and reverbs. Take a simple synth line and then add a delay, perhaps working on an alternative rate such as a triplet, it can really help to add interest to top lines and leads.
Sample And Stretch The Sound
Create a new sound and then sample it, then play it way out of its original sample range. As you play a sample beyond these ranges the character of the whole sound changes and creates some very cool effects. For example try sampling a bell at C5 and then playing it at C1!
Nudge Nudge, Wink Wink
Copy and slide. Very like a delay effect, but sometimes you can create some really cool effects by copying, pasting and moving MIDI parts on the grid. Try just moving the part a 16th or making a copy and creating a MIDI delay! Check out Julian’s recent nudge video here
Have fun! Any ideas you want to share?
Our friends at Xfer Records have announced Serum, a new Wavetable Synth with a host of extra features. Serum is available for Mac OS X and Windows in VST, AU and AAX plug-in formats.
“The dream synthesizer did not seem to exist: a wavetable synthesizer with low aliasing / high-quality sound, visual and creative workflow-oriented interface, the ability to create / import / edit / morph wavetables, and manipulate these tables further in real-time.”
Wavetable Editor With FFT, Formulas, Draw
A full-blown utility inside the plugin - Serum has a comprehensive wavetable editor built right in, and you can create your own wavetables in a variety of ways. Import audio directly from audio files - Serum has a variety of methods and options for importing + analyzing audio (WAV or AIFF) for breaking it apart into individual waveforms:
- You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering).
- Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing.
- Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools.
- Generate or modify waveforms using FFT (additive).
- Create or process waveforms using formula functions.
- Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.
To celebrate the release of the new AIR Xpand2 with VST and AU support we’ve unlocked the Xpand2 video tutorials section of Pro Tools Expert, making them free for everyone.
Free AIR Xpand2 Video Tutorials
Here is a list of just some of the great content we have for Xpand2.
- Create Amazing Grooves Using Xpand 2
- Turn Xpand 2 Into A Killer Synth
- Xpand Power User - Modulator Automation
- How To Create Saw Stack Sounds In Xpand
- 5 Ways To Change An Electric Piano In Pro Tools
- Create Huge Stacked Sounds In Xpand2
- Synth Tricks In Xpand
- Be An Xpand2 Power Users Part 2
- Create Monster Bass In Pro Tools With Xpand2
- Create Cool Guitars In Pro Tools With Xpand2
- Create Soundscapes Using Xpand2
- Xpand2 The Basics
- AIR Xpand 2 - How To Control Volume On Each Part
- Xpand2 The Basics
- Xpand Arpeggiator
Hundreds More Pro Tools Video Tutorials
If you are new to Pro Tools Expert and want to watch over 500 video tutorials for Pro Tools, plug-ins and other studio related techniques then you can sign up.
The team at Prodyon are giving away a synth a day on their YouTube page.
Today’s synth is very nice giving an organic synth sound which moves over time with the sequencer patterns.
There are plenty of knobs to tweak, so geeks should be in their element.
An Exclusive Sneak Peak of Sample Logic's new Cinematic Keys “blurring the line between music and sound design.TM
Updated on Tuesday, September 2, 2014 at 2:50PM by Mike Aiton
For those of you who have read my posts before, I am a post production dubbing mixer (spelt “re-recording mixer” in the US!) and a such, often have a section in a documentary or a drama where more tension or feel is needed for the scene. If this section has not been scored by the composer, the first quick response is often to borrow a bit of music from elsewhere in the programme and attempt a cheeky edit or two. But what if there is nothing suitable? How many times have we all been caught thinking I would love a bit of suspenseful underscore or drone here?
Whilst looking for a solution for this problem I came across Sample Logic and their unusual mission statement…
to design cutting edge tools for composers, producers, sound designers, musicians and performers of all musical styles and genres and to develop new concepts for sample libraries that focus on blurring the line between music and sound design.
As both a post mixer and a hobbyist guitarist, I can’t speak MIDI very well (I can barely even order a beer in it) and panic if a chord on on the keyboard needs more than four notes (root, third, fifth and “the other one”), so I have always traditionally hit fast forward when people spoke of samplers and other such dirty words. This “blurring the lines” really caught my eye and Joe Trupiano at Sample Logic took great pity on my sad & sampleless life and sent me some of his wizardly sampling cook ups to taste….