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Entries in synth (42)
Rob is known for not only making very tweakable and complex products, he also spent a long time writing a very detailed training guide on synth programming. The good news is that thos who just want to grab cool synth presets for their Pro Tools sessions now have this option.
They say: “As cool and tweaky as modern virtual instruments can get, most keyboard players and composers spend little time under the hood of their favorite soft synth or sampler and more time looking for the perfect preset. So, when Rob Papen approached us with this Sweetwater exclusive Predator-PL virtual instrument synth, we jumped at the opportunity to provide you with a what we think you’ll find to be an invaluable songwriting tool. Among its 4,400 preset sounds, you’ll find all the essential sounds covering everything from laid-back ambient sound beds to wild and frenetic dubstep drops. And thanks to Predator-PL’s extremely user-friendly interface, there’s nothing standing between you and the sounds you need.”
Russ shows a workflow he uses when wanting to test out sounds from hardware analogue synths that have no presets.
Arturia have announced the MicroBrute, which is neither an aftershave for babies or an action hero. It’s a small micro synth, barely bigger than the picture above, with a lot of synth packed inside - a review will of course follow soon.
In their press info they say:
The guys at U-He are offeringa FREE AAX synth for those who in their words “brave enough to test our first AAX pluggie on Mac?”
Podolski is a simple, CPU-efficient virtual analogue synthesizer. Basically a cut down version of FilterscapeVA with just one oscillator, one filter, one envelope and two LFOs, it also features a Zebra-style arpeggiator/sequencer plus chorus and delay effects.
Podolski’s specialities are the Click parameter (emphasizes the filter attack) and its ability to seamlessly morph between three waveforms (WaveWarp).
Windows users do not despair as they write;
“We believe this to work, and while we’re adding AAX development into our development workflow, we hope that the brave among you out there will give this a spin. Please report any crashes with a crash.log here, and - if possible - compare whether or not this version behaves and sounds the same as its VST/AU counterpart.
If all goes well we’ll need only a few days to port it to Windows, we’ll have to buy 3 more iLoks to add to our build and testing servers and we might get to release AAX betas for everything shortly thereafter.”
Go to their forum here for more information and follow the instructions carefully regarding installation - we do not offer any support on this.
Perhaps one of the most underated and yet coolest small synth companies, TAL has released TAL-BassLine-101 v1.218 with AAX support in both Pro Tools 10 and 11.
- AAX support for Pro-Tools 10.3.6 or higher and Pro-Tools 11 added.
- Filter-FM for all waveforms as source added.
- Sequencer Insert, Delete, Length Global and Velocity Global added.
- MIDI automation can now record host automation.
- Keyfollow scale fixed for values > 0 and < 1.
- Better user interface performance while reading automation.
- More stable sequencer host-sync.
- Record sequence with MIDI and host sync fixed.
- Portamento Linear sample-rate bug fixed.
New Filter-FM features:
Choose a VCO waveform as source and add control the FM-intensity with the horizontal slider. Filter-FM modulates the filter cutoff with the source signal. Use a lot resonance and a low cutoff frequency to hear the effect.
If you are into dance or electro music then this is well worth a look with it’s very cool retro nod back to old Roland classic - we’ll do a review of it shortly, but this is one not to miss.
Russ takes a look at the Sean Paul track “Other Side Of Love” to see if he can recreate it using the FREE stuff in Pro Tools.
Russ shows what can be achieved by using filters on synths and loops to transform tracks.
Russ does a quick video to show how to get those really low bass sounds you hear in tracks like ‘Boom Boom Boom’
The sun is out and we’re feeling like it’s time for a cool freebie.
Many people know how cool our Vintage Library for Structure and Structure FREE is, but if you are yet to experience some cool vintage classic synths then download this sample set of just 20 of them.
We are updating the store so right now you can’t buy the entire set, but keep your eyes open for a deal soon.
In the meantime, enjoy there on us! Click here to download
Next month, Arturia embarks on a major UK dealer tour letting musicians get hands-on with their brand new KeyLab keyboard controller range, MiniLab USB-controller, SparkLE drum system and mighty MiniBrute analogue synthesizer. This will be held in Arturia dealers throughout the UK, and with a free MiniBrute T-Shirt for every attendee plus special discounts on the day, is not to be missed…
Sébastien Rochard of Arturia will be in-stores demoing the power and creativity of Arturia’s latest creations, with tips, tricks and ideas on how musicians can use these new products to take their productions to the next level. It will be possible to put questions directly to the experts and get an exclusive hands-on with the very first KeyLab in the UK, make beats on SparkLE, and analogue tones on MiniBrute.
Once again, there will be a free MiniBrute T-shirt for attendees and special one-day-only discounts available in-store, so Arturia and Source look forward to welcoming Arturia fans in person.
Some of you may remember about 10 years ago a new kind of synthesizer rolled into town called the Hartmann Neuron, The Neuron was a crazy kind of synthesizer said to be based on Neuronal Synthesis which took models based on sampled waveforms and mashed them up in its own unique way.
Googling about the Neuron will give you far better descriptions of the technology than I could ever articulate so I’ll cut the history lesson short there.
Anyway due to problems in manufacture and distribution Hartmann went out of business, the Neuron ceased production and disappeared without a trace after what was a very short but seemingly successful time,
The synthesizer first in its hardware keyboard form won rave reviews in the music production press followed up by its baby brother the Neuron VS and its little “NUKE” controller / hardware dongle. A sad story to a really interesting and promising brand!
Well now some years later, thanks to the current owners of the technology and assets of Hartmann Neuron - Prosoniq, The Neuron VS VST instument is back and its Free!
Not only is it free for anyone whether you previously owned it or not, its ties to the hardware NUKE controller and copy protection have also been cut, but if you don’t own the NUKE controller you will not have access to the XY controller sticks that morph between the models, You will however be able to play back the presets and perhaps these parameters will be assignable via MIDI controllers - this is yet to be seen.
Sadly for Windows OS users Neuron VS will only ever be available for OSX 10.6.8 upwards and never again available for Windows and will also only be available in VST format but if you follow some of Russ’ VST hosting for Pro Tools guides or use NI’s Maschine, VE Pro , Reaper or whatever way of hosting VST’s on your Mac you like you’ll be all set.
Go get it at neuronsynth.com but be patient with the downloads - I have a feeling this one is going to melt those servers!
Huge thanks to Stephan Bernsee of Prosoniq !
Enjoy! - Neil
* Please note, these stories are offered as a news service to the community. We offer no endorsement, warranties implied or otherwise to products, services or policies of the brands.
AIR have launched their new synths Loom and Vacuum Pro, two mighty fine beasts, building on the heritage of the cool stuff gone before them, but offering more power and some very nice sounds.
With Loom, explore one of the final frontiers of sound creation: Additive Synthesis. Loom makes it possible. While familiar to many, the promise of additive synthesis has gone largely undelivered. The creation of rich, swirling, and evocative sounds by combining individual harmonics has proved either too time-consuming for programmers or too calculation-intensive for all but the fastest supercomputers—until now. Loom takes an exclusive modular approach to creating the captivating sounds and unique harmonic signatures that are the trademarks of additive synthesis. The easy-to-use Loom architecture allows anyone to quickly combine any of 30 editable modules into 10 available cells to realize incredible, previously unheard-of sounds. Onboard effects, onscreen pop-up Tool Tips, and the amazing Morph page bring Loom to life for fantastic, accessible sound.
Vacuum Pro starts with two wide-range, sync-able vacuum tube oscillators. Each features Quad Detune controls for a lush, thick sound. Add to that two vacuum tube filters. We’ve included both the traditional Low Pass filter as well as an additional High Pass/Band Pass filter. Choose the filter slope to capture classic tones of the past. Vacuum Pro has it all: Four Envelope Generators; matrix-assignable modulation, and tempo sync’d LFO. The tube-driven mixer offers a drive circuit plus tone-warping ring modulation. For authentic analog behavior, the exclusive Age controls even add dust and drift.
To coincide with the release of the long awaited AIR Loom synth, Russ has released his latest video tutorial series ‘Loom Explained’. Working in consultation with the creators of Loom, Russ shows how to get the best from Loom. Groove 3 says:
“Untangle the creative possibilities of additive synthesis and produce something amazing with Loom. Synth master Russ Hughes takes you on a journey and helps you unlock the synth secrets of this cool new take on additive synthesis. This series includes a full, in-depth explanation of Loom’s features, as well as some practical sessions on designing sounds from scratch.
Designed for beginner to intermediate users of Loom, the video series guides you through step-by-step, showing you all of Loom’s features and functions, as well as many creative possibilities that this awesome synth has to offer. Russ gives you an introduction to Loom, detailed looks at its interface and menus, as well as all of the windows and fx modules available.
Whether you are a new Loom user, or someone who just wishes to expand their Loom knowledge and skills, this series is going to give you the tools you need to unleash the power and add up your sound of this amazing synth… Get “Loom Explained” today.
- 18 tutorials / over 2 hours total runtime
- For all beginner synthesizer users
- Tutorials written by synth master Russ Hughes
- Simple-to-use video control interface for Mac & PC
- Watch online, download, stream to iPad, iPhone & iPod”
Community member Burt Wolff has kindly sampled a cool Clavioline (regarded by some as the first modern synth) in Structure format.
Wikipedia says: The clavioline is an electronic keyboard instrument, a forerunner to the analog synthesizer.
It was invented by Constant Martin in 1947. It consists of a keyboard and a separate amplifier and speaker unit. The keyboard usually covered three octaves, and had a number of switches to alter the tone of the sound produced, add vibrato, and provide other effects. Several models were produced by different companies; among the more important were the Standard, Reverb, and Concert models by Gibson and Selmer in the 1950s. The 6-octave model developed by Harald Bode employed octave transposition.
Russ shows how to use the new AIR Loom Synth as a cool vocoder. Here he does it in Pro Tools but Loom is RTAS, AU and VST.
Russ takes a look at the new Loom Synth from AIR and gives an extensive show and tell of this new virtual instrument.
XILS-lab has to announced availability of Oxium 1.5, a Pro Tools 11 AAX format-ready major update to its popular performance soft synth plug-in, as of April 13… they say…
Oxium has gained a solid foothold in the competitive computer-centric music marketplace since successfully launching last year to critical acclaim.
Novation has announced the launch of Bass Station II – a powerful analogue synth that’s made for bass but equally well adapted to leads. Based on the classic Novation BassStation from 20 years ago, Bass Station II has been completely re-worked for the 21st Century, with two filters, two oscillators plus a sub-oscillator, patch save and a fully-analogue effects section. Plus there’s a step- sequencer, arpeggiator, a two octave (25-note) velocity-sensitive keyboard with full-sized keys and a powerful modulation section. There’s even MIDI I/O and USB connectivity.
- Analogue synth: brand new version of the classic BassStation. Bass Station II has a pure analogue audio signal path, reviving the spirit of the original BassStation with an all-new design optimised for bass
- Two distinct analogue filters: In addition to the original ‘Classic’ BassStation filter, there’s a brand new ‘Acid’ diode ladder filter for squelchy 303-esque bass sounds
- Load and save patches: 64 factory patches on-board with room for 64 more of your own. Save more to your computer via USB
- Pattern-based Step Sequencer and Arpeggiator: Bass Station II has an arpeggiator with a programmable step sequencer that enables you to store and call up patterns as well as quickly sketch out ideas
- Instant hands-on control: Instant hands-on control of the sound engine via a traditional analogue synth control panel
- Two Oscillators plus an additional Sub Oscillator: Bass Station II has two sync-able, tune-able oscillators with four selectable waveforms, plus a third sub-oscillator for generating enormous bass sounds
- Analogue effects section: Bass Station II includes fully analogue distortion and filter-modulation effects and a separate filter overdrive to add aggression and crunch
- Powerful modulation section featuring two Envelopes and two LFOs: Two ADSR envelopes for amp, filter, pitch and pulse width modulation alongside two LFOs with waveforms including triangle, sawtooth, square and sample & hold
Bass Station II