Entries in Pro Tools (414)
If you are new to Pro Tools the different kind of track options available can sometimes be daunting, in fact sometimes even seasoned professionals are not entirely sure of the benefits of using different track types. We recently took a look at Pro Tools instrument tracks.
We will take a look at each type of Pro Tools track in detail, explaining each section to the Pro Tools track type and how to use them. In this post we are looking at the Pro Tools aux track.
Aux tracks enable a user to route live audio through Pro Tools, in many ways they work just the same as a audio track but you cannot record any audio on these tracks.
They can be used to:
- Sub mix a group of tracks during mixing, for example all drums could be routed to an aux track so that you have a stereo drum mix, often called a drum buss.
- Route hardware synths and drum machines that are being triggered via Pro Tools MIDI tracks, although you may find using an instrument track to be better for your purposes.
- Route hardware effects back into Pro Tools such as hardware reverbs, delays or compressors.
- Route hardware audio devices such as CD players or record decks or an external audio mixer.
Routing To Aux Tracks Internally
First create a aux track using the new track window. In this case I am going to create a stereo sub mix of the guitars. You can see in the image below the new Aux is now to the right of the two guitar tracks I want to route to it.
There’s an ongoing discussion on the DUC regarding Avid’s ongoing policy regarding RTAS-AAX wrappers, which right now is that they are not allowed by Avid. Many theories are being put forward by both those for and those against the policy about why Avid have this policy.
The reason put forward by Avid is that RTAS-AAX wrappers are not allowed is because it compromises the stability and performance of Pro Tools, many users argue that the reasons are actually commercially motivated. Even if stability and performance are the real reason, surely it’s down to the user to make that choice, surely ‘caveat emptor’ applies here? If this is what Avid are most concerned about then surely (as with many of their products) they offer a “not supported” line about wrappers?
It seems absurd that a user can host VST and AU versions of plug-ins in Pro Tools 11 using various methods, but not RTAS. In fact since that article was written several other solutions have been offered by companies like Blue Cat Audio. This policy of ‘NO RTAS WRAPPERS’ seems odd (given that AU and VST are allowed) and undermines Avid’s own plug-in formats by suggesting that RTAS is less flexible and future proof than competitor plug-in architecture?
One reason cited is that 64 bit plug-in architecture makes any kind of wrapper impossible for older 32 bit RTAS plug-ins. Not so for Logic Pro X users, who with the Sound Radix 32 Lives software can run 32 bit versions of AUs in a 64 bit application, keeping their investment in plug-ins such as Abbey Road, TC and Lexicon alive.
If one buys a car, then there are certain fuels, oils and tyres that are recommended, if someone wants to use inferior quality products and in doing so experience inferior performance and possibly shorten the lifetime of the car, then as long as they don’t try and blame the dealer or the manufacturer then it’s their problem isn’t it?
The new 64 bit audio engine and improved architecture that made AAX necessary are without doubt a step forward, it offers vastly superior performance over RTAS, but if a user wants (or needs) to continue to use RTAS, then they should be allowed to do so, with the understanding that it will give inferior performance and will be unsupported?
I think what aggrieves users of legacy products such as RTAS or Control 24 and Pro Control mixers is not that they become unsupported or that development is ended, but that they are simply killed off. No one is suggesting that Avid should offer indefinite development and support for their older products, no other brand does so. However blocking the development of 3rd party solutions seems mean and petty minded, this seems to contradict the ‘new open Avid’ message that was introduced when Gary Greenfield was CEO of Avid and saw Pro Tools uncoupled from Avid hardware.
Surely if an RTAS wrapper is as possible as VST and AU versions then a user should get to choose how their Pro Tools system performs? Discuss.
With the announcement of Apple’s Mac OS X 10.9 Mavericks operating system there are known issues with Media Composer 7 and earlier, Pro Tools 11 and earlier, Sibelius 7 and earlier, EUCON and ISIS. Avid will announce support for Mac OS X 10.9 with future releases of software.
Pro Tools 11.0.3 announces support for Mac OS X 10.9 Mavericks.
Below is a list of known issues still occurring with Pro Tools 11.1 and earlier on Mac OS X 10.9:
Additional to the 11.1 update yesterday Avid also released Pro Tools 10.3.8.
Here are Avid’s release details with links to the readme files for sepecific bug fix details, along with the download link for the Mac OSX version (Windows version to follow).
- Pro Tools|HDX systems on Mac OS X 10.7-10.7.5, 10.8, 10.8.2 to 10.8.5 or Windows 7 SP1 (details)
- Pro Tools|HD Native systems on Mac OS X 10.6.7-10.7.5, 10.8, 10.8.2 to 10.8.5, or Windows 7 SP1 (details)
- Pro Tools|HD Native Thunderbolt systems on Mac OS X 10.7.5, 10.8, 10.8.2 to 10.8.5 (details)
- Pro Tools|HD Accel systems on Mac OS X 10.6.7-10.7.5, 10.8, 10.8.2 to 10.8.5 or Windows 7 SP1
- Pro Tools systems on Mac OS X 10.6.7-10.7.5, 10.8, 10.8.2 to 10.8.5 or Windows 7 SP1
*For Mac Pro computer support with Mountain Lion a Nehalem (4,1) or later is required. Click here for a full list of Qualified Apple computers with Pro Tools. Click here for more info on Mountain Lion OS compatibility.
We often joke on the Pro Tools Expert team that we’ve made so many Pro Tools video tutorials that sometimes we forget what videos we have. We’re not surprised we have over 1,000 videos on Pro Tools Expert, many of them free Pro Tools video tutorials.
Here are 5 FREE Pro Tools video tutorials on vocals… enjoy!
In this video Russ shows the cool trick of comping vocals. How to get a perfect vocal without a single auto-tune in sight!
In this video Russ shows some work flows for getting a vocal to sit better in a mix using Pro Tools.
Russ shows how to create stutter and pitch shift vocal effects.
If you are new to Pro Tools the different kind of track options available can sometimes be daunting, in fact sometimes even seasoned professionals are not entirely sure of the benefits of using different track types.
We will take a look at each type of Pro Tools track in detail, explaining each section to the Pro Tools track type and how to use them. In this post we are looking at the Pro Tools instrument track.
Instrument tracks were introduced into Pro Tools in version 7.0. Previously to use either a software or hardware instrument in a Pro Tools session the user had to create a MIDI track for recording MIDI and an AUX track for routing the audio for playback in Pro Tools - an instrument track is a combination of both, simplifying the Pro Tools workflow. Let’s take a look at each section.
Moving from left to right you can see the colour bar first as a solid strip of colour. In the image above the instrument track has defaulted to the mustard colour, however double clicking on the colour bar will open the colour picker where you can change the colour of the track. Double clicking when multiple Pro Tools tracks are open enables the user to recolour groups of tracsk.
Next you see the track name (changed by double clicking on the text) the record arm button, the (S) solo and (M) mute buttons. Below these you see the small metronome icon which allows the user to select between sample and tick based operation, this changes how the Pro Tools track responds to timing information. The next button (CLPS in this image) determines what information will be displayed in the Pro Tools track timeline. The image below shows the selection extended. In the top half of the list are the types of information to show, int eh bottom half are the automation options available in the present track, these differ depending on user customisation.
We often run a ‘5 Ways’ article filled with tips for either getting the besy from Pro Tools, general recording advice, or business tips, after all there’s a lot of money to be made AND lost if you don’t take care of business.
Here are 5 articles that we ran and that got a lot of interest in the early part of 2013.
Loops are a two sided coin, one side inspiration and hit making, the other side derivative and over-used. So how can you make sure that when you use loops your coin lands on the right side?
At Pro Tools Expert we get a lot of emails to the Pro Tools Expert Podcast each week from users asking us to advise them on buying a Pro Tools system - this often includes what computer and what interface to buy. Here are our 6 top tips to consider when buying a Pro Tools system.
Buy The Pro Tools System You Need Tomorrow Not The One You Need Today
One of the biggest mistakes you can make when buying a Pro Tools system is to buy it for the needs you have now, if you do this and don’t account for any growth then you will soon be thinking about upgrading the interface, the computer, the memory or your hard drive, if not all of them.
So you need to think carefully about what you think you will need in the future. If you are a singer songwriter and buy a Pro Tools audio interface with just an input for your guitar and your vocal microphone, then you’ll kicking yourself if you join a band, or if your local church or school wants to record their event on your Pro Tools system. You can even consider how buying a better system could help pay for itself, by offering to hire yourself out for recording bands and other local events.
This thinking extends to every part of the Pro Tools system you buy, now that Pro Tools 11 is 64 bit it can take advantage of the extra memory for plug-ins and especially virtual instruments, so max out the RAM. One thing to be careful of is that some vendors, including Apple will charge a premium for things like extra memory, so shop around and visit some online vendors like Crucial, you could save a packet. The same applies to hard drives, which in most cases are easy to retrofit and there are plenty of online tutorials to show you how if you are not sure.
Find A Good Dealer Who Understands What You Are Looking For And Who Will Look After You
Source-Nexus is an audio application router. For example, you can record remote voiceover from Source-Connect directly in Final Cut or Media Composer, or even better playback iTunes to Pro Tools, even patch Pro Tools to and from Nuendo. All at the same time!
With Pro Tools, Nexus allows Pro Tools users to directly integrate virtually any application without using external cables using the AAX plug-in, and allows all CoreAudio audio applications to record and be recorded from your Pro Tools timeline.
As ‘Mr RX It’, Mike will be using this to route iZotope’s RX3 through into Pro tools, so he can always use the high quality audio interfaces with Pro Tools HDX rather than the Mac audio output.
Have you even ran out of power when using plug-ins on a mix in Pro Tools… in most cases the answer is probably yes.
However depending on what system you have and your selection of plug-ins then you might have some extra sources of horsepower at your disposal.
Let’s look at the four ways to host a plug-in in Pro Tools, some from Avid and some from third parties:
Host based native Pro Tools plug-in processing
This is where your computer does all the work, so the resources running the plug-ins are the same ones running your DAW and the rest of the show too. For the sake of argument we will include Pro Tools HD Native in this bunch.
A second chance to win $10K worth of studio gear is now open to those beyond the US, Westlake Pro have now opened this up to those from US, Canada, EU, or UK.
The contest to win pro recording equipment includes a MacBook Pro, Avid HD system including an Avid Omni, a UAD Satellite, Line 6 Pod, Waves Gold Bundle and JBL speakers, with a value of around $10,000. It runs until January 15th 2014.
One of the great things about Pro Tools is that when it comes to getting great timing there is more than one way to skin a cat. Here are 5 ways:
1. Use Elastic Audio
On any audio track you can apply elastic audio, this then allows you to quantize, warp and move around in time the audio. It fatures several algortihms designed to match the audio content. It is well worth understanding how the audio is analyised otherwise you may get unsatisfactory results. Check our Pro Tools video tutorial here on Getting Elastic Audio In Pro Tools Without Artefacts.
2. Use Beat Detective
If your loved ones are asking you for stocking filler ideas for Christmas then you may have missed this list we compiled from members of the community a couple of years ago. It has some great books on their including some of my favourites. If you have read any of them then please feel free to add you
I was just about to go and buy a new copy of Adobe Photoshop and as I always do I scanned the internet for the best price, the cost varied widely with the lowest being £329 and the highest over £1000. Then I went to Adobe to check the features and saw an advert offering me both Photoshop and Lightroom for around £8 per month, 30 days to cancel on a 12 month rolling contract. I thought this must be a mistake, it must be a version with limited features, but no, what it is as far as I can tell is pretty awesome.
It’s a paradigm shift from the old buy the product, own it (you never did, you licensed it, but who is splitting hairs?), you then wait for it to devalue and then get stung when a new version is released with a costly upgrade fee. I think it’s a smart idea and I think people would be less likely to be tempted to pirate software only costing £8 a month than several hundred or thousands of pounds.
Even better the cloud app gives you all you need in one place.
It got me thinking, what if Avid did the same thing and offered Pro Tools on a monthly plan, as well as what you could see below, just imagine… Pro Tools, plug-ins, storage and a place to showcase your work all in one place, Adobe have done it - which DAW will be first to go this way, perhaps one of them already offers this? I for one hope there’s a Pro Tools monthly plan in the future. I hope this is part of the Avid Everywhere strategy, if so it could be very good for all of us.
So take our poll, would you rent Pro Tools on a monthly plan if you were not penalised in any way?
If you are a Pro Tools user with lots of plug-ins then this is a must watch video.
In our series of FREE Pro Tools video tutorials Russ takes a look at another chart hit and shows some of the production tricks used to get the sound.
Moby is offering a track from his album ‘Innocents’ as a Pro Tools session via blend.io
‘The Perfect Life’ features Wayne Coyne and you can download it and open the entire session up in Pro Tools.
Members of blend.io can download it for FREE.
Russ shows a workflow he uses when wanting to test out sounds from hardware analogue synths that have no presets.
It doesn’t matter how long one uses Pro Tools for, it seems there are some mistakes one can keep making, they fall in the really dumb category, these are my 5:
- Creating a mono track instead of a stereo one and vice versa.
- Hitting record and forgetting to arm the track and then getting the message that seems to have the same voice that my wife uses when I miss a turn when driving.
- During high speed editing hitting the ‘W’ instead of the ‘E’ key and finding the window disappears rather than an edit occurring. No I don’t use focus I use CMD, old habits die hard.
- Hitting the wrong keyboard combo when consolidating regions and ending up with a screen shot… or 10 if I think it isn’t working!
- Creating my third click track after forgetting I already have two inactive and hidden.
So those are my 5 face palms, what are your recurring moments of stupidity?