Entries in Pro Tools (476)

Kush Push Pusher And Clarify Clariphonic AAX Plug-in Releases For Pro Tools 11

Wunderkinds of the plug-in world Kush Audio deserve a headline like that when they announce AAX betas.

They have just announced the beta release of Pusher and Clariphonic plug-ins in AAX offering Pro Tools 11 compatibility.

Both units are on sale for $99 until tomorrow, so if you want to buy them then you had better act fast.

Kush Audio Pusher and Clariphonic join UBK-1 as three plug-ins now available in AAX for Pro Tools.

You can find out more from the Kush Audio website.

Free Clipping Plug-in For Pro Tools

The team behind Grind Machine and Grinder guitar and bass plug-ins Audio Assault have a cool free clipping plug-in for use in Pro Tools - KlipFreak.

Kilpfreak could not be simpler to use, an input, a large knob to adjust the amount of clipping and an output control.

Available in VST, AU and for Pro Tools 10 and 11 Mac and PC.

More here

Pro Tools Track Hack Refresher For Pro Tools 10 And 11

It seems that the Pro Tools track hack is still not known by some Pro Tools users, I was having dinner with a power user just last night and they were amazed to find out about this cool trick, first discovered by community member Philip Nicols.

It enables a Pro Tools users to create custom channel strips which can then be loaded into any Pro Tools session, it can be your favourite vocal channel or a master buss, or an instrument with separate outputs.

Here are the links to the videos. 

To see how to do it in Pro Tools 10 and below then watch here:

Create Your Own Menu Shortcuts In Pro Tools - Mac

There are a lot of great shortcuts in Pro Tools, but do you also feel like AVID is missing a shortcut that could make your workflow much faster? I do, and it’s always frustrating to navigate through the menus to make your move.

So here is a great tip for all the Apple Mac users on how to create your own shortcuts in Pro Tools.

  • Open up System Preferences > Keyboard > Application Support and click in the add-button Make sure to check the box “ All Controls”.
  • A new box will appear. Let us choose Pro Tools in the Application list, and then we type the name of the key-command we like to create. I choose the Save Copy In… and did the picked a shortcut. Make sure to spell the Menu Title exactly how it is spelled in Pro Tools and choose a shortcut that does not already exist  and press add.

 

  • When you are done, close the System Preferences application and open up Pro Tools. You should now be able to see your new shortcuts.

 

 

Using McDSP AE400 On Solo Violin

In this free video Julian demonstrates how useful an active EQ like AE400 can be for taming problem frequencies only when they occur, avoiding the danger of over EQing and preserving the wanted sound for as much of the time as possible.

If you find this helpful do check out Russ’s show and tell video of the AE400

 

Slate Raven 2.0 Show & Tell Review 

In this video James joins Mike Aiton in his home studio for a close up extended look at the Slate Raven MTi with the 2.0 software.

They talk about connectivity and setting the Raven up for the first time. They take a look at basic fader control, plugin manipulation and some of the new macros which are new in the 2.0 software.

In Or Out Of The Box - What's Your Recording Workflow? Poll

For some the arrival of the DAW was a dream come true, to be able to track, edit and mix in one application, what’s not to like. For other people Pro Tools was a replacement for their tape machine and even now that’s what Pro Tools is.

In the last few years a new generation of hardware lovers has emerged, so some who mixed entirely in the box have now returned to using a mixer and /or outboard hardware. For others the in-the-box workflow is just what they dreamed of. So in this poll we would like to know how you work with Pro Tools, are you fully in the box or is it just part of a more complex audio workflow? Did you start in the box and then return to hardware, or did you jettison hardware in preference for a fully in the box workflow.

Please take our poll and let us know what you use in addition to your audio interface and let us know in the comments why you use the workflow you have, how long you have been using that workflow, had it changed, if so then why?

Hidden Treasure - Digidesign Command 8

Hidden Treasure is a new series where we look at some items that may have been written off as past their best, but that may deserve consideration before making a purchase of a new item to do a task in the studio.

The first piece of hidden treasure is the Digidesign Command 8, shown by Digidesign at the 119th AES in 2005, so nearly 10 years old, but there’s a still a lot going for the Command 8 a decade later.

When Pro Tools 11 was announced some Pro Tools users were left confused by what hardware would and would not work with Pro Tools 11, the Command 8 fell into the ‘Not Officially Supported (Untested)’ and so some rumours started to circulate that effectively wrote this unit off.

However, the Command 8 still works fully in Pro Tools 11 and now they are going got a song on the second hand market, in the UK you can grab them for a low as £250, or the USA for as low as $325. What you get for you money is quite a lot.  The main features of Command|8 include:

  • Eight fader strips, each with a motorized, touch-sensitive fader, rotary encoder, LEDs, and Solo, Mute, and Channel Select switches 
  • Analog monitoring section with the following features:
    Output and level control for mains and headphones
    Two pairs of analog inputs, one for the main mix from Pro Tools, one for alternate sources 
  • One MIDI In port and two MIDI Out ports providing 16 channels of MIDI input and 32 channels of MIDI output 
  • USB port for direct USB MIDI communication with Pro Tools 
  • Large, bright LCD for data display 
  • 1/4-inch Punch In port for footswitch control of recording 
  • Transport controls and mode switches
  • Windows switches for Pro Tools display 
  • Navigation and Zoom controls 
  • Tactile control of track volume, pan, send level, send pan, and record status, as well as PRE™ (Digidesign mic preamplifier) gain 
  • Fast and convenient access to sends, inserts, plug-in pages, pan settings, and other track functions 
  • Five Function keys to access Utility, Fader Mute, and MIDI mapping functions  
  • Stand-Alone mode with save and recall of up to 8 snapshots 
  • Allows control of any device that supports MIDI Continuous Controller messages 
  • Allows use of custom MIDI mapping

So that’s a physical control surface with moving faders, a Pro Tools transport, a monitoring controller (with MONO button), full physical control of plug-ins and instruments, as well as a MIDI interface for around $300.

That’s a lot of bang for the buck and well worth considering if you want a physical control surface. It may not be the newest controller out there, but it still has a lot to offer nearly a decade after it was launched.

Have you got a Command 8, what do you think of it? Do you have suggestions for gear to feature in future Hidden Treasure post? If so then let us know.

How Do You Control Your Pro Tools Rig? Poll

There are many ways to control a Pro Tools session, you can just use your mouse and keyboard and be a shortcut Ninja alone, or you can use a control surface or an iOS app in addition to that.

There’s quite a few options and simply talking amongst the Pro Tools Expert team you will find some of us using the latest large format control surfaces, iOS apps, MIDI keyboards or just keyboard and mouse.

So we thought we would ask you how you control Pro Tools, in addition to the mouse and keyboard. Are you simply a mouse keyboard Ninja, or do you use some kind of additional controller?

So let us know - just the mouse and keyboard or some addtions? Of course please use the comments to let us know why you gave you answer if you wish - especially if you are using legacy or third party controllers. Does you controller determine the version of Pro Tools you use?

How To Bounce Instruments In Any Version Of Pro Tools

Following a request Russ shows how to record the audio of virtual instruments onto audio tracks in any version of Pro Tools, he shows the various methods required depending on the plug-in used. He also shows how to make sure no audio is lost during the process.

 

 

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