Waves Special Offers For This Weekend
3 more great plug-ins at great prices from our friends at Waves, but hurry these will finish on Sunday.
- Waves CLA Effects $49 - normally $100
- Waves Kramer HLS Channel $49 till Sunday - normally $200
- Waves Musicians Bundle $59 till Sunday - normally $160
Grab them while you can.
More Deals Added For October
Waves have added some more deals to the October monthly deals too
- Dorrough Stereo Native $129
- Dorrough Surround Native $199
- V-Series Native $99
- NS1 Noise Suppressor Native $99
- MaxxVolume Native $99
- OneKnob Series Native $149
Check out the Specials page too for more great deals
Back to basics this week with a look at busses. These are a very common source of confusion for novice users. Exactly what busses are and how you might use them is so important that even if you think you’re getting by without them, you’re already using them in your sessions even if you don’t know it yet.
What Is A Buss?
A buss is an internal connection within Pro Tools and it can be used to send combinations (or “mixes”) of signals from place to place within the mixer. If you have never come across the word before its worth noting that this isn’t Pro Tools terminology and busses are used for all sorts of data, not just audio. Any channel can be routed to any buss. Even if you think you have never used a buss in a session you will have, as the main output of your session is a buss in pretty much the same way as the internal busses to be found under the buss menu in the output selector: Any combination of channels can be routed to a single destination - sounds like a buss to me! If you find the idea of busses difficult then the best way to understand them is to use them. Here are five ways you can use busses in your sessions:
It’s about a day since Apple released the latest version of OS X, Yosemite.
Some can’t resist upgrading their Mac as soon as possible, others are far more cautious not wanting to create potential system instabilities.
There’s a helpful page on the Apple site showing compatiblily information.
It seems the Roland TR808 got it’s first full length movie and the trailer is out, it features a lot of people from the music industry including Phil Collins, Rick Rubin, Pharrell Williams and many more.
I found the orginal story on Rolling Stone, where the comments have started to go South pretty fast, you might want to go and see how they progress with a bag of popcorn, they might end up to even more entertaining than this cool film.
Caches are a key part of any computer system and effectively are temporary stores designed to retrieve data quickly. For example, browsers use them so you don’t have to keep downloading the same images again and again and caching appears in two places in Pro Tools disk caching in Pro Tols HD and Wave Caches for the waveforms in the clips.
In a recent survey by Pro Tools Expert many Pro Tools users said they used more than one DAW, some using multiple DAWs.
You may be thinking of moving to a new DAW but the very idea of having to learn a new DAW fills you with dread, not becuase you think other DAWs can’t cut it against Pro Tools, but because you’ve spent years working with Pro Tools and to move is almost the same as being asked to write with the other hand. Surveys suggest people get divorced more often than they move banks, we wonder if it’s the same for moving DAWs. In most cases it’s the pain in ass to move that stops people from making the leap to another DAW.
If you are a professional it is wise to consider having a plan B, the reason many businesses stick with Pro Tools is that they have built their entire business around it. With Avid’s current plans they hope to make you more reliant on an Avid ecosystem not less, Avid Everywhere is built on the premise of a proprietory one-stop solution for all your business needs. It’s not smart to be so reliant on one technology for your business, the recent events have shown that when things go wrong in the relationship many are left with a feeling of powerlessness.
With Avid’s current plans they hope to make you more reliant on an Avid ecosystem not less
So if you are considering moving to another DAW here are 5 things to consider.
You may recall a recent Pro Tools Expert article about using the Mac Mini for your home studio.
In the original article we talked about why we thought it made a good choice for Mac lovers on a budget, how Apple have made it an even better proposition.
The new Mac Mini has got a refresh with:
- Fourth-generation Intel Core processors
- Faster integrated graphics
- 2 x Thunderbolt 2 ports
- 802.11ac Wi-Fi wireless networking; IEEE 802.11a/b/g/n compatible
OS X Yosemite has been released today by Apple, their latest update to the Mac OS.
Broken record time, but for those new to the world of Pro Tools, if you are in the middle of stuff or have mission critical stuff then hold off upgrading until you have all your work done and your machine backed up.
We’ve been running it for weeks at Pro Tools Expert HQ with some minor issues, but on the whole it is a great release. Not all software is officially qualified to run on Yosemite yet… you have been warned.
If you are yet to try Gobbler 2.0 public beta then they already have a new version with added features and bug fixes, this follows a lot of interest in the first version which has led to excellent feedback. Version osx-2.0.6-build-104 offers:
- MFA-enabled accounts are now shown an error when a login is attempted.
- Fixed several user-reported crashes.
- Gobbler Collect now supports Ableton Live projects with all linked media on the same drive.
- Extraneous files in Logic project folders that are not referenced by the project are not included in backups.
- Collaborators’ names are now displayed in tooltips when mousing over their Avatar images.
- While downloading projects from workspaces, the files are now placed within a sub-folder named after the workspace containing those projects.
As we’ve already said no Windows yet but that’s coming soon.
50 years ago this month Moog unveiled their modular synthesizer at the AES show in 1964 which would become an iconic synthesizer.
Dr. Robert Moog introduced the world to a completely new type of instrument that would go on to change the course of music history and influence decades of future instrument design. In this mini-documentary a Moog engineer, Moog Historian, and Bob Moog himself, explore Moog Music’s quest to resurrect the original methods, materials and designs used in the foundational modular synths. Through recreating Keith Emerson’s modular system, Moog Music rediscovers the power, elegance, and enduring legacy of its first instruments.
Thanks to our friends at Source Distribution for bringing this to our attention and you can find out much more at the Moog site here.