In this video James talks about his approach to mixing real drums using Waves plug-ins.
In this second video in this series he looks at creating the perfect Hi Hat, Ride and Overhead sound using the JJP Signature plug-ins and uses the Kramer plug-ins to help glue the drums together.
Waves Plug-ins Used In This Video
JJP Cymbals & Percussion
Jack Joseph Puig told us this about his JJP Cymbals & Percussion…
There’s really so much you can do with cymbals and percussion. You can use some lo-fi effect to fatten up shakers. You can take out the mid-range on tambourines to make them sound brighter, or you can add some dirt and distortion to make them sound grittier. You can boost the high end to enhance the shimmer of the cymbals or compress them hard, to bring out other aspects of their sound. The JJP Cymbals & Percussion plugin gives you instant access to all the different colors I like to use, so you can just fire it up, find what you need, and stay creative.
I approach the guitar as a sound designer, and try to use the whole sonic palette: Make it brighter, darker, more aggressive, compress it, bring out the attack, whatever—to give it attitude. The JJP Guitars plugin helps you get into that creative space, quickly. Sure, there’s a rock and roll edge to this plugin, but for me, what makes it so powerful is that everything you need, it’s right there in front of you; it lets you stay in the zone.
Kramer HLS Channel
This is what Waves say about it….
Developed in association with legendary producer/engineer Eddie Kramer, the HLS Channel was meticulously modeled on a Helios mixing console just like the one he used in historic sessions at London’s acclaimed Olympic Studios. (In fact, we actually managed to get our hands on the Helios from the Rolling Stones mobile truck, which was used on a slew of classic recordings during the early ‘70s.) In addition to modeling the Helios EQs with their sweet saturation, high-end presence, and fat low-frequency boost, we even modeled the unique behavior, coloration, and drive of the console’s preamps. To top it all off, the HLS Channel features a precision-modeled VU meter that recreates the sensitivity, ballistic behavior, look and feel of the original.
Kramer Master Tape
Waves say this…
The Kramer Master Tape plugin is modeled on a rare vintage 1/4” reel-to-reel machine. With adjustable tape speed, bias, flux, wow & flutter, and noise parameters, the Kramer Master Tape provides comprehensive control over the contours of your sound. And to top it off, we’ve added a flexible slap & feedback delay, ideal for rock, dance, dub, you name it. For recording, mixing, mastering, and more, bring the richness and warmth of real tape saturation to your DAW with the Kramer Master Tape plugin. It’s the reel deal.